'Will you take me as I am?
Will you?'
This morning I was reading Wild by Cheryl Strayed and at the beginning of one of the chapters, there was a quote from a song called California by Joni Mitchell. I have never heard the song nor listened to any Joni Mitchell, but the words stuck with me. I laid thinking about my time in California and thought about how it really has taken me as I am. I feel more at home here than I do in my home country simply because California and the people in it, get me. Never before have I been quite so understood and all I can say is that it has been the best time of my life. For the first time I am not the girl that nobody really knows what to think of. No, for once I am the girl that people don't have to question because I fit in so well here.
Upon arriving in California, it did not feel wrong or disjointed. The fact that I was leaving behind my life and starting another one did not feel strange, instead it felt right, it felt oh so right. I had wanted to live in America for so many years and upon arrival, I felt as if I had been destined to do it.
Throwing myself into my life here has given me a great one and when the day comes in which I will have to leave, I will do it with great sadness. The friends that I have here are some of the best that I have ever had and the thought of having to say goodbye to them leaves me slightly speechless. I haven't had long enough with them. I have ignited something within myself that I want to explore more and I cannot get enough of the feeling. Maybe it is the desire to travel, maybe it is the desire to challenge myself, maybe it is the desire to live a life that is something other than ordinary. An extraordinary life.
Whatever it is, I want to keep searching for it.
Wednesday, 25 November 2015
Sunday, 4 October 2015
Is There A Right or Wrong Here?
Long distance relationships are tough. I knew that it would never be easy but they really do live up to their reputation.
I had a decision to make today and although it won't sound like a big one, it threw everything off and left us both feeling a little worse for wear. I was planning to Skype my girlfriend in the early afternoon but shortly before, a few of my friends came round and told myself and my flatmate about the completely spontaneous road trip that they were leaving for. I am all for spontaneity so this got me excited. Although I had a decision to make.
Do I go, not Skype my girlfriend and lose all internet connection or do I not go and Skype my girlfriend?
My girlfriend is always my first choice, always, but having to make that decision left me feeling as if I couldn't really win either way. Of course I was desperate to speak to her, but equally I have to make a life here. I didn't want to cancel on her. The distance has left us both fragile, I didn't know that we could both be so fragile, but it takes its toll sometimes. I knew that telling her that we couldn't speak today would be something that she would take with a head on struggle and when all her messages buzzed through with the returning wifi, all I could feel was that I had been the mean one. I had a great time out seeing pretty landscapes and driving down winding roads but her sadness centered itself in my brain.
I had made the right decision hadn't I?
I had a decision to make today and although it won't sound like a big one, it threw everything off and left us both feeling a little worse for wear. I was planning to Skype my girlfriend in the early afternoon but shortly before, a few of my friends came round and told myself and my flatmate about the completely spontaneous road trip that they were leaving for. I am all for spontaneity so this got me excited. Although I had a decision to make.
Do I go, not Skype my girlfriend and lose all internet connection or do I not go and Skype my girlfriend?
My girlfriend is always my first choice, always, but having to make that decision left me feeling as if I couldn't really win either way. Of course I was desperate to speak to her, but equally I have to make a life here. I didn't want to cancel on her. The distance has left us both fragile, I didn't know that we could both be so fragile, but it takes its toll sometimes. I knew that telling her that we couldn't speak today would be something that she would take with a head on struggle and when all her messages buzzed through with the returning wifi, all I could feel was that I had been the mean one. I had a great time out seeing pretty landscapes and driving down winding roads but her sadness centered itself in my brain.
I had made the right decision hadn't I?
Wednesday, 30 September 2015
We've Got This
You move away from home and find yourself 7000 miles away, it's not actually as hard as you think. You find a strength in yourself that you didn't know you had and its light can't be burnt out but 43 days in, it hits you. It hits you like a train that won't stop. It keeps heading towards you, steam escaping from its wheels, horn blowing and lights glaring. You try your best to stop it before it hits you but your ribs ache and you return to the bathroom floor; an old familiar habit that you thought you had seen the last of. Anything but this. You sigh as you feel its coldness against your skin.
The habits show themselves again, taking the opportunity to kick you when you're weak. The bathroom floor, the constant craving to sleep, that one song that was the soundtrack last time, the anger, the numbness, the desperation, the desire to be alone, losing enjoyment in the things that make you feel real, the calls to my sister late at night as she stays on the phone with me until I can breathe again.
It all comes back as if it had been waiting for the moment, as if the past year without it hasn't existed. You slip into a pattern of familiarity that you wish you didn't recognise. It welcomes you in too easily without much of a say. This can't become a pattern. It can't define the last of this year. Hell is a place that we all know but it can't become home. I won't let it.
I look down at the ring that reminds me of how far I've come and I realise that that defines me more than what could become of me if I accept familiarity. Sometimes its so exhausting to be strong but somebody has to be that for me and that is me, It shines brighter than everything else. I realise that I do refuse to sink.
The habits show themselves again, taking the opportunity to kick you when you're weak. The bathroom floor, the constant craving to sleep, that one song that was the soundtrack last time, the anger, the numbness, the desperation, the desire to be alone, losing enjoyment in the things that make you feel real, the calls to my sister late at night as she stays on the phone with me until I can breathe again.
It all comes back as if it had been waiting for the moment, as if the past year without it hasn't existed. You slip into a pattern of familiarity that you wish you didn't recognise. It welcomes you in too easily without much of a say. This can't become a pattern. It can't define the last of this year. Hell is a place that we all know but it can't become home. I won't let it.
I look down at the ring that reminds me of how far I've come and I realise that that defines me more than what could become of me if I accept familiarity. Sometimes its so exhausting to be strong but somebody has to be that for me and that is me, It shines brighter than everything else. I realise that I do refuse to sink.
Friday, 18 September 2015
Monday, 15 June 2015
In Your Room
It takes a bare room, stripped of everything, to understand what it contained. Rooms are not just containers but they are containers to live in. They hold you as you experience each day differently and even as everything changes, they remain the same. They remain something that you can return to and maybe part of the charm of these four walls is just that; the fact that they are a constant and a familiarity.
I remember the first time that you let me in your room. It was mid week and had no real remarkable features about it until that late afternoon. Upon entering, I knew that the things in that room were not shared with just anybody, that you have a way of filtering yourself down for others. Nothing about that room was filtered and neither were you. It reflected quirks and intimacies and was an environment conducive to truth.
That was four months ago and that room only ever encouraged truth, or maybe we both did, something did.
A lot happened in that room and seeing it removed of all personality, stripped of everything that we had become accustomed to was, in a way, heartbreaking. It is the people that make a room but it felt as if the bareness of the room, ready for the next person, somehow took away the power of those events when in reality the furniture had nothing to do with any of it.
Those four walls held powerful words that had been spoken, kept us safe when we didn't feel like leaving our world, saw the beginning of us and saw a change in us that would put on hold the way that we had come to know, it saw us both grow into ourselves and each other, but most of all, it let us be who we wanted to be and in that fully furnished room, we were stripped of all reserves.
I remember the first time that you let me in your room. It was mid week and had no real remarkable features about it until that late afternoon. Upon entering, I knew that the things in that room were not shared with just anybody, that you have a way of filtering yourself down for others. Nothing about that room was filtered and neither were you. It reflected quirks and intimacies and was an environment conducive to truth.
That was four months ago and that room only ever encouraged truth, or maybe we both did, something did.
A lot happened in that room and seeing it removed of all personality, stripped of everything that we had become accustomed to was, in a way, heartbreaking. It is the people that make a room but it felt as if the bareness of the room, ready for the next person, somehow took away the power of those events when in reality the furniture had nothing to do with any of it.
Those four walls held powerful words that had been spoken, kept us safe when we didn't feel like leaving our world, saw the beginning of us and saw a change in us that would put on hold the way that we had come to know, it saw us both grow into ourselves and each other, but most of all, it let us be who we wanted to be and in that fully furnished room, we were stripped of all reserves.
Monday, 30 March 2015
Creatures Such As We
"For small creatures such as we
the vastness is bearable only through love"
- Carl Sagan
the vastness is bearable only through love"
- Carl Sagan
Thursday, 26 February 2015
Stephanie in the Water
Stephanie in the Water
follows the six times female ASP (Association of Surfing Professionals) world
tour winner, Stephanie Gilmore in her attempt to reclaim her world title after losing
it to Carissa Moore in 2012, a year that began with a personal attack in her
home. Directed by Ava Warbrick, Stephanie
in the Water is a documentary that demonstrates Gilmore’s constant struggle
between being respected as a female surfer and the problems that arise by being
such a huge part of a male dominated industry.
Although a documentation of Steph Gilmore and her efforts in
2012 to regain her world title, Stephanie
in the Water also plays very much to the issues surrounding women in
surfing, both overtly and subtly. The choice to have a female team of
documentary makers was definitely a good one, with New York visual artist and
filmmaker Ava Warbrick making her directorial debut. The film definitely has
artistic elements engrained within it from the start and makes for an extremely
enjoyable watch, both visually and in charting Gilmore’s journey.
It seems as if the choice to use a female director was a conscious one, put in place to avoid the inevitable elements of masculinity that are a dominating feature of the surfing world, but this documentary luckily manages to avoid most of them. There are however, some scenes that demonstrate just how sexualised women in the industry are, with scenes of the surfers having their makeup done and walking the red carpet at the Surfer Poll Awards, in which the scene seemed somewhat disjointed with the message that the film was trying to portray. It becomes obvious that Warbrick is presenting Gilmore as the champion that she is, whilst mainly avoiding the obvious gender issues that surround Gilmore, because no matter how many times the world tour trophy is etched with her name, her status as a woman in surfing will always be the driving force behind everything that she does and the female world champion being a part of that. It is undeniable that Gilmore is the reason that surfing has come so far from the even more oppressive society that it used to be.
It seems as if the choice to use a female director was a conscious one, put in place to avoid the inevitable elements of masculinity that are a dominating feature of the surfing world, but this documentary luckily manages to avoid most of them. There are however, some scenes that demonstrate just how sexualised women in the industry are, with scenes of the surfers having their makeup done and walking the red carpet at the Surfer Poll Awards, in which the scene seemed somewhat disjointed with the message that the film was trying to portray. It becomes obvious that Warbrick is presenting Gilmore as the champion that she is, whilst mainly avoiding the obvious gender issues that surround Gilmore, because no matter how many times the world tour trophy is etched with her name, her status as a woman in surfing will always be the driving force behind everything that she does and the female world champion being a part of that. It is undeniable that Gilmore is the reason that surfing has come so far from the even more oppressive society that it used to be.
However, as the most powerful woman in surfing, one would
think that Gilmore has managed to escape the gender related comments and this
is, for the most part, true. Although the surfing society respects her as a
woman and understands the immensity of her talent, comments still filter
through the documentary that demonstrate the effect to which women are still
being compared to male surfers on a regular basis. This becomes evident from
the very beginning of the documentary with Gilmore being interviewed on an
Australian news show and on which the female presenter comments that Steph
performs a lot of “blokes moves”, when in reality, as Gilmore goes on to
correct her, is just being aggressive and powerful in the water whilst trying
to remain feminine. It is comments such as these that split the surfers from
the outsiders and it seems absurd for a woman to compare the six times female
champion to a male surfer, when the two styles of surfing could not be more
different. Perhaps Warbrick chose to open the film with a statement such as
this to create a dialogue between the successes that women’s surfing has seen
whilst simultaneously battling against gender issues.
I think it is fair to say that Warbrick presents the world
of women’s surfing in a very realistic way. Sexualised images of women are
present even in Stephanie in the Water,
which is odd, considering it is working to humanise Gilmore in a way that
separates her and her teammates from their bikini clad magazine alter-ego’s,
but the contradiction actually works in demonstrating the parallels of female
surfing in a visual way throughout.
Gilmore is granted her sixty minutes of screen time in which she tries to fight
the ever-present female surfer stereotype, but slow motion images of her legs
and behind as she elegantly surfs a wave and a topless shot of her changing in
her garage will blatantly receive attention for the wrong reasons.
As the best female surfer she notes how a question that she hears too much is, “what’s next? What’s more?” and it is important to indicate that world title male surfers are not being asked the same question, suggesting that the standard of female surfing is always being compared to the male standard.
Saying this, a statement that carries a particular poignancy comes from Gilmore’s board shaper, Darren Handley. Knowing many of the top male and female surfers, he says how Steph is “…not like Kelly [Slater, eleven times ASP male world tour winner], she doesn’t go there to have fun or get a bit of prize money. She goes to win” and it is a comment such as this that is potentially the first of its kind, giving a female surfer the dominance over a male surfer and emphasising her desire to win and progress which is often overlooked for women. It is Handley’s observation that truly shows the strength of women’s surfing in a time where it is all about the men.
As the best female surfer she notes how a question that she hears too much is, “what’s next? What’s more?” and it is important to indicate that world title male surfers are not being asked the same question, suggesting that the standard of female surfing is always being compared to the male standard.
Saying this, a statement that carries a particular poignancy comes from Gilmore’s board shaper, Darren Handley. Knowing many of the top male and female surfers, he says how Steph is “…not like Kelly [Slater, eleven times ASP male world tour winner], she doesn’t go there to have fun or get a bit of prize money. She goes to win” and it is a comment such as this that is potentially the first of its kind, giving a female surfer the dominance over a male surfer and emphasising her desire to win and progress which is often overlooked for women. It is Handley’s observation that truly shows the strength of women’s surfing in a time where it is all about the men.
It can be said that in creating Stephanie in the Water, Warbrick has exposed the world of female
underdogs to the mainstream media and along with her heartfelt and powerful
representations of Gilmore both in and out of the water, not only have she and
Steph made an attempt at revolutionising the female surfing world, but she has
also unconsciously demonstrated, with images and phrases that constantly
trickle through the hour, just how difficult it is to avoid women’s
sexualisation in surfing no matter how brilliant the surfing talent is.
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